3.7 Chapter Summary

The Renaissance period was truly a time of great discovery in science, music, society, and the visual arts. The reemergence and renewed interests of Greek and Roman history/culture is still current in today's modern society. Performing music outside of the church in courts and the public really began to thrive in the Renaissance and continues today in the music industry. Many of the master works, both sacred and secular, from the Renaissance are still appreciated and continue to be the standard for today's music industry. Songs of love, similar to Renaissance chan-sons, are still composed and performed today. The beauty of Renaissance music, as well as the other arts, is reintroduced and appreciated in modern-day theater performances and visually in museums. The results of the Protestant Reformation are still felt today, and the struggles between contemporary and traditional church worship continues very much as it did during the Renaissance. As we continue our reading and study of music through the Baroque period, try to recall the changes and trends of the Medieval and Renaissance eras and how they thread their way through history to today. Music and the Arts do not just occur; they evolve and also remain the same.

3.8 Glossary

Anthem
a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work and still more particularly to a specific form of Anglican
Church Music
Sacred music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn. Church Music Director is a position responsible the musical aspects of the church's activities.
Chanson
is in general any lyric-driven French song, usually polyphonic and secular. A singer specializing in chansons is known as a "chanteur" (male) or "chanteuse" (female); a collection of chansons, especially from the late Middle Ages and Renaissance, is also known as a chansonnier.
Chapel Master
Director of music, secular and sacred, for the courts' official functions and entertainment.
Consort
A renaissance consort is a group of renaissance instrumentalists playing together. A whole consort is an ensemble performing with instruments from the same family. A broken consort is an ensemble comprised of instruments from more than one family.
Counter-Reformation
The preservation movement or "Counter-Reformation" against the protestant reform led to the development of the Jesuit order (1540) and the later assembling of the Council of Trent (1545–1563) which considered issues of the church's authority and organizational structure.
Dance Music [WM1]
is music composed specifically to facilitate or accompany dancing
Frets
is a raised strip on the neck of a stringed instrument. Frets usually extend across the full width of the neck and divide the string into half steps for most western musical instruments. Most guitars have frets.
Galliard
was a form of Renaissance dance and music popular all over Europe in the 16th century.
Jig
is the accompanying dance tune for an energetic fold dance usually in a compound meter.
Madrigal
a musical piece for several solo voices set to a short poem. They originated in Italy around 1520. Most madrigals were about love.
Motet
is a highly varied sacred choral musical composition. The motet was one of the pre-eminent polyphonic forms of Renaissance music.
Pavanne
is a slow processional dance common in Europe during the 16th century Renaissance.
Reformation
was a succession and division from the practices of the Roman Catholic Church initiated by Martin Luther. Led to the development of Protestant churches.
Word painting
was utilized by Renaissance composers to represent poetic images musically. For example, an ascending melodic line would portray the text "ascension to heaven." Or a series of rapid notes would represent running.